by Chris Abbott » 19/12/2008 - 11:09
Well, it all comes down to two disputed points:
1) Can someone with modern equipment but no SID produce a complex SID which sounds _exactly_ the same?
2) Is bitwise comparison of output relevant when applied to the output from an analog source? And can someone escape bitwise comparison by doing enough post-production to change the original waveform?
To believe that there was no sampling means believing two knowledgable witnesses over one witness who insists that Timbaland can indeed produce an almost cycle-exact SID replication without a SID (without providing any evidence at all about how it would be done - "it's old technology - of course you can do it with modern technology" says he). As usual, in the legal system, there's no telling who the judges will believe, and who they won't.
There was no contest to the assertion that SID composing wasn't a creative act: I played five different Popcorn SIDs from different authors to prove that the end result was very much dependent on individual creativity. And the guy from TEOSTO (Finnish Performance Copyright Society) on their side actually spoke highly of the creativity of the SID scene (while implying that it was outside the experience of TEOSTO: not exactly true, since SID composers belong to STIM, the Swedish version). Which kind of blew major arguments the other side were making (that MOD -> SID was just a converter, essentially).
Court action is annoying, since you think "oh, I'll be able to not think about it when it's over", but then you occasionally reply stuff in your mind at odd moments. I just want to get on with Xmas.
Chris
Won't somebody PLEASE think of the children?