Another interesting and filtered opening, with some actual bass coming through leaves you wanting more, and you're not disappointed. Some really nice synth instruments take the sustained notes, and a nice weird sounding three-note hook gives some of the weirdness that Fred was trying to convey. Somehow the normal strangeness of FTCs arranging meshes with Fred's musical strangeness to produce something special. Sonically I can't fault it except that the bass could be warmer. There's a worrying moment at 2:07 when it sounds like this might turn into Thanatos, but it soon passes. Brilliant.